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Christine Borland’s work oftens involves collaboration with non-art related institutions, exploring areas such as forensic science, the history of medicine, medical ethics and human genetics. Borland frequently asks us to consider the fragility of human life and the way in which it is valued by social systems and institutions. By introducing the ambiguous and the imaginary to a scientific, medical or other ‘expert’ arena, her works engender a new aesthetic relationship with the subject matter and make visible people and practices, usually inaccessible to a general public.

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