Halo Nevus
Kate V Robertson works in print, sculpture and installation, with a focus on materials and processes. She selects materials based on their associative connotations, often employing strategies of minimalism, Surrealism and conceptual art. Representational systems of technology, advertising and print media are all explored and tested by the materiality of Robertson’s work and the dysfunctional nature of her objects.
Her installations often play with tension and illusion – solid objects may appear yielding, or a rippling wall or cracked floor may suggest a collapse of ordinary systems and structures. The themes of failure and obsolescence are recurrent in her practice, even becoming intrinsic to her working processes. Bodies of work often become a conversation between specific and directly expressed concepts, and the fruits of accidents or experiments.
SOLO EXHIBITIONS
2020 Post, Patricia Fleming, Glasgow
2019 Terminal, Govan Project Space, Glasgow
2018 Divided and Yet Mutual, Patricia Fleming, Glasgow
2017 This Mess is Kept Afloat, DCA, Dundee
2017 Object(hood), TRG3, Talbot Rice Gallery, Edinburgh
2016 Semper Vigilantes, OBJECT / A, Manchester
2016 Semper Solum, Glasgow International Festival of Visual Art, Glasgow
2016 Adaptive Expectations, Figure Three, BALTIC 39, Newcastle
2014 In Progress, Patricia Fleming Projects, Glasgow
2013 Paper Works + other 2D sculptures, Glasgow Project Room
2012 Kilian Rüthemann & Kate V Robertson, David Dale Gallery, Glasgow
2011 Plaza, Rez de Chaussee, Glasgow
2010 Tomorrows Another Day, Market Gallery, Glasgow
2010 To Be Continued…Edinburgh Sculpture Workshops
2010 Pieces, Feinkost, Berlin
2010 What Structures, Intermedia Gallery, Glasgow
GROUP EXHIBITIONS
2016 It Happened in Üzümlü, Golden Rule, Liverpool
2015 JHB Archive, Birmingham Open Media
2015 Finite Project Altered When Open, David Dale Gallery
2014 Reclaimed: the Second Life of Sculpture, The Briggait, for Glasgow International Festival of Visual Art (curator/designer)
2014 Art Lending Library, UK Tour
2014 Converse, Glasgow 2014 Commonwealth Games Cultural Programme public art commission, various locations
2013 41 Meter Fluchtweg, Schaumbad, Graz, Austria
2013 Walls Work, Embassy Gallery Offsite Project, Edinburgh
2012 Paper, Musée d’Art Moderne et Art Contemporain, Nice, France
2012 Rough Mix, with Magnetic North, interdisciplinary workshop
2012 Nothing About Us Without Us is For Us: riverside public art project
2012 HAUNT anonymous performance series, Glasgow
2011 Vault Art Glasgow, the Briggait, Glasgow
2011 Industrial Aesthetics: Environmental Influences on Recent Art from Scotland, Hunter College Times Sq Gallery, New York
2010 All Insignificant Things Must Disappear, Trinity Church, NYC
2010 During Office Hours, Feinkost hosted by VGF, Berlin
2010 Rubble Stir, The Glue Factory, Glasgow
2010 Breaking Windows, Feinkost, Berlin
2009 Running Time, Scottish National Gallery of Modern Art, Edinburgh 2009 Vantage, Bloomfield College, New Jersey
2009 Set it Up and Go, Artnews Projects, Berlin
2009 MFA Degree Show, Tramway, Glasgow
2009 Shortlisted for ‘Artists Taking the Lead’ commission, London 2012 Cultural Olympiad, Scotland 2009 Les Urbaines Festival [with The Cause of Inflation Damage Limitation Orchestra], Lausanne
2009 Notices, Edinburgh Art Festival
2009 Plateaux Festival [with The Cause of Inflation Damage Limitation Orchestra] Frankfurt
2008 Times Square Billboards, New York
2008 Election Tree [performance on election day] New York
SELECTED PUBLIC ART / OFFSITE / PERFORMANCE PROJECTS
2022 Michelin Legacy Sculpture, Michelin Scotland Innovation Parc, Dundee
2021 Rainbow Pavilion, Strathclyde Country Park
2020 Fenestration, Balustrade and Plant Screen commission, Barclays Campus, Glasgow
2019 Restore, Brno Biennale, Brno, Czech Republic
2014 converse, Glasgow XX Commonwealth Games Cultural Programme public art commission, various locations
2013 Walls Work, Embassy Gallery Offsite Project, Edinburgh
2009 Shortlisted for ‘Artists Taking the Lead’ commission, London
2012 Cultural Olympiad, Scotland
AWARDS / RESIDENCIES
2017 Creative Scotland Open Project Award
2017 Pollock Krasner Foundation Award
2017 Interdisciplinary Residency Hospitalfield, Arbroath
2016 Creative Scotland Open Project Award
2015 Hope Scott Trust Visual Artists Award
2015 SPACE/TIME Residency at Cove Park
2015 ESP Summer Residency, Eastside Projects, Birmingham
2014 Creative Scotland 20for14 Award
2013 Glasgow Life Visual Artists Award
2013 Creative Scotland Professional Development Award
2012 Chateau de Sacy, France
2011 Creative Lab Residency, Centre for Contemporary Art, Glasgow
2009 Plateaux Festival of Live Art, Kunstlerhaus Mousonturm, Frankfurt [with The Cause of Inflation Damage Limitation Orchestra]
PUBLICATIONS
2018 Art Monthly, review of This Mess is Kept Afloat by Tom Emery
2018 The Scotsman, review of This Mess is Kept Afloat by Susan Mansfield
2018 The Skinny, review of This Mess is Kept Afloat by Colm Pearce
2016 Art Monthly, Glasgow International review, Martin Holman, issue 396
2016 A-N artist newsletter, Glasgow International review, Chris Sharratt
2016 The Scotsman, Glasgow International review, Moira Jeffrey
2013 Måg Magazine by NABROAD, issue 12
2012 Frieze Magazine, review by Chris Sharratt, issue 149
2012 Art Review, feature by Oliver Basciano, issue 60
2011 The Skinny, ‘Weird Silence’ by Alex Hetherington
2009 The Herald, ‘Artists Taking the Lead’ Sunday Herald
2009 ‘The Art of Being Invisible’, Sarah Urwin Jones